(Post)modernism and the Other

Since film first established itself as pre-eminently a narrative medium there has been a long-running questioning on the nature of the connections between film and literature. Conrand’s known statement about his novelistic intention - “My task which I am trying to achieve is, by the powers of the written word, to make you hear, to make you feel – it is, before all, to make you see” (McFarlane 3) - has often been quoted by the first filmmakers who were striving to make an adaptation and explore the vast territory of the cinematic world. Some novels have been constantly adapted, and, like Bram Stoker’s Dracula (written in 1897), have created a whole genre. In this essay we will try to analyse some aspects of the adaptation of Stoker’s novel Dracula in the first preserved film version of Friedrich Wilhelm Murnaus’ Nosferatu (1922), and, one of the latest adaptations, Bram Stoker’s Dracula by Francis Ford Coppola (1992). Some differences are noticeable between the ‘original’ narrative and ...

The media are an important tool for creating public opinion and they can influence the creation of laws and policy. Media representation of young people is important because it can influence the public image of them and it can also influence the young themselves. On the other side, young people can be discriminated against and treated with suspicion because of a specific media image of them. In this paper we analyse a corpus of newspaper articles about violence among the young that occurred in Croatia recently. Analysing this discourse we try to find out who the participants are and what they emphasise as the most important questions and issues in connection with the young and violence. We try to find out how the creation of a text is influenced by power relations and other factors connected with the media (i.e. public opinion, stereotypes, public panic) and what the main image of the young created by the media is. We also analyse how language is used and which language and discourse e...

Although film history has mostly been understood in national terms, there have also been attempts to present a general history of film styles. The history of film styles can be roughly divided into four distinct phases, each drawing on different aspects of narration. In the beginning, cinema privileged documentation and spectacle, presenting the exhibitionistic aspect of the new medium, whose structural characteristics had yet to be explored. Nöel Burch labeled this pre-narrative style a Primitive Mode of Representation, and this mode defied the narrative aspect of film-making. The shift towards narration occurred in the period between 1907 and 1909, when narrative films became the dominant mode of storytelling. The transition towards narrative cinema was mainly prompted by the demands of the market, which resulted in the gradual predominance of fictional narratives. The new style became known as the classical realist cinema, and Classical Hollywood Cinema became the leading representa...

Generally speaking, in the postcolonial literary theory the other is represented as the object of colonization. The O/other is inevitable, essential and important to the defining of the subject identity in both cases – if we deal with the subordinate, marginalized and exploited other, or on the other hand with the Other who is itself the representation of the imperial discourse of power and in whose gaze the subordinate identity is being constructed and exists: In both cases the opposition simply must exist, it is usually the result of a basic distinction between the dominant and subordinate class and it is not rare that in post-colonial texts the process of othering may also become extremely violent. Simply speaking, the Empire by definition colonizes and subjugates the objects of colonization. Political independence of the former colonies did not bring equality to all social groups in the new countries, and the process of subordination continued in some other aspects and distinctions...

This article seeks to utilise Bourdieu’s conceptual framework published in 1984 to make sense of the educational decision of so-called ‘loser’ students in contemporary Hong Kong. The last few decades have witnessed a continuous expansion of education in many industrial-capitalist societies; yet, it is well documented that a class gap in educational attainment persists (e.g. Shavit and Blossfeld; Schofer and Meyer; see the collections in Torres and Antikainen). Many sociologists are agreed that such persistent class differential in educational attainment could be understood as a result of class-related distortions in the educational process (Marshall et al.). Indeed, a number of concepts have been proposed and many explanations have been advanced to explain the persistence of such a class gap and illustrate how this takes place (cf. Moore). No one would ever doubt the necessity of sociologists’ effort to illustrate how children of an advantaged class (usually labelled as the middle clas...

This paper aims to analyse and compare two newspaper articles dealing with issues of gay people in Croatia that were published in two different periods. The first article dates from the early 1990s, which was the starting point of contemporary Croatian gay activism. The second was published 16 years later, in 2008, within a different social and political context. It was the period when gay activism in Croatia had already reached some of its aims, and when the discourse on homosexuality had become more visible and acceptable in the media. In comparing these two periods, we focus on surface differences between two newspaper articles, while at the deep level we look for similarities and unchanged features. Our perspective is sociosemiotic – it will be explained in more detail in the next section. For now, it needs to be stressed that we integrate both verbal and visual elements of the two articles, explore differences and similarities in the discursive strategies of constructing and repre...