Future Insights

No. 2 - Year 9 - 06/2019

University of Zadar | ISSN 1847-7755 | SIC.JOURNAL.CONTACT@GMAIL.COM

Editorial

The articles presented in the 18th issue of [sic] discuss, in broad terms, the ways in which literary and cultural phenomena manage to transcend the temporal and spatial framework into which they were born. They thus provide understandings and intuitions with continuing relevance, and their impact extends – regardless of when they were created – well into the future. In the opening article, Dejan Durić and Željka Matijašević analyze the concept of intensity through psychoanalytic lenses, as it evolves from the 1960s counterculture toward the present-day forms of capitalism. Krešimir Vuković delves into the imagery of classical literature and explores what insights Homer, Hesiod, and Callimachus offered for future authors. Finally, Korana Serdarević turns toward teaching methodology and tackles the issue of whether 19th century literature can help shape the views of today’s (and tomorrow’s) society. ...

Literary Translation
Alisa Velaj and Arben P. Latifi:

A Projection Perhaps, fall won’t be any more your visiting season; you might be seeking different sky within yourself. My love, you now resemble a nocturnal flower, spreading wildly away from your sustaining soil. I have nothing else to do this September, but to watch and wait in the woods at twilight for that ghost season to hopefully flash by all of a sudden... Land of Storms There’s an inherent longing in fall showers, my dear, an unspoken word, like these undischarged clouds. Like fugitives out speeding sounds, we often migrate through azures, forgetting that you simply loving me, forgetting that me simply loving you, is no novelty but an ancient ritual, like the run of time from one season to another. I ought to embrace you and love; you ought to be aflame for love, me, and us both, same as these boundless skies embrace themselves in front of any surprise that nature sows... You will then realize what longing means, how risk-free this land of storms is we will then realize... Toni...

DOI: 10.15291/sic/2.9.lt.6
Future Insights
Hans Günther, University of Bielefeld, Germany:

In the center of our attention is the postapocalyptic situation in Andrei Platonov´s novel Chevengur, which is characterized by the absence of labor. This fact does not give evidence of the paradise for which the chiliasts strove but turns out to be one of the main reasons of its self-destruction. The author´s argumentation is built on the confrontation of the beginning and the end of the novel. In both cases, labor is represented in an unusually strange way. But in fact, there is a principal difference between these two representations of labor. In the first case, we are dealing with the rising line of the transition from peasant’s craft to proletarian labor, whereas the development of the “economy” of Chevengur is shown as a process of decline.Keywords: post/apocalyptic, chiliasm, laborU literaturi o romanu Čevengur (1926. – 1928.) nerijetko se spominju dva termina – apokalipsa i hilijazam (ili milenarizam). Apokalipsa je općenitiji termin koji označava eshatološku predodžbu kraja sv...

DOI: 10.15291/sic/2.9.pub.2
Literature and Culture
Tomislav Denegri, University of Zadar, Croatia:

From Homer’s Odyssey and Daniel Defoe’s Robinson Crusoe to Jules Verne’s Twenty Thousand Leagues Under the Sea and Herman Melville’s Moby Dick, the sea has always featured prominently in Western literature. Stories of voyages over (or under) boundless oceans, tales of mutiny and piracy, of treasure and adventure, have all become an integral part of our literary tradition. And while it was frequently admired, the sea’s capricious nature and fathomless depths have often led to it being feared in equal measure. Compiled and edited by Mike Ashley, From the Depths and Other Strange Tales of the Sea is an anthology comprising fifteen lesser known stories taken from other collections and pulp magazines dating back to the early 20th century, which ably illustrates that period’s fascination with the sea, especially with its more fantastical and uncanny aspects.The collection opens strongly with an invitingly horrific, if somewhat traditional ghost ship story. Albert A. Wetjen’s “The Ship of Sil...

DOI: 10.15291/sic/2.9.lc.5
Literature and Culture
Dejan Durić and Željka Matijašević:

The article analyzes the concept of intensity promoted in late capitalism, and its difference from the teleological intensity of the countercultural sixties. Intensity is approached through psychoanalytic lenses as related to Freud’s drive theory, and to Lacan’s concept of jouissance. Counter-depressive intensity persists today devoid of any meaning, as it is a self-legitimating strategy of the most perfect and best conformed capitalist subject. The notion of the culture of intensity covers the natural privileging of late capitalism towards ‘the good intense.’ This paper analyzes its reverse: ‘the bad intense,’ and the tragedy of dysphoria. The movie Shame (2011), directed by Steve McQueen, is interpreted as an example of the transformation of the countercultural value of sexuality in the sixties to its mere reduction to both intense and numbing experience. Keywords: intensity, Eros, death drive, jouissance, euphoria, countercultureThis paper analyzes the concept of intensity promoted ...

DOI: 10.15291/sic/2.9.lc.1
Future Insights
Olga Alimovna Bogdanova, Russian Academy of Sciences, Russia:

The idea of the landlord's estate as “paradise on land,” traditional in the Russian culture of the late 19th and early 20th century, evolved in the literature of the 1910s and 1920s into the idea of the city-garden, which united the “beginning” and “ends” of the image of Biblical paradise – the Old Testament Eden and the Apocalyptic New Jerusalem. The substrate of the city-garden mythologem became the "estate topos," which indicates its plasticity and significant heuristic potential, i.e. not only its belonging to the former landowner estate of the 19th century, but also its ability to create new cultural modifications, such as the “city of the future” by V. V. Khlebnikov or the “city garden” in the prose of A. N. Tolstoy and in the Soviet poetry of the 1920s.Keywords: paradise, topics, landowner estate, estate topos, “city of the future,” “city-garden,” the first third of the 20th century, A. N. Tolstoy, V. V. Khlebnikov, V. V. Mayakovsky

DOI: 10.15291/sic/2.9.pub.4
Literature and Culture
Korana Serdarević, unattached, Croatia:

The latest tendencies in the modernization of teaching literature stress the development of students’ critical thinking as one of the main learning outcomes of the educational process. Based on this premise, the article demonstrates the applicability of the imagological approach which can, through guided critical reading of the canonical text, reveal another layer of the so-called non-canonical interpretation and point towards the deconstruction of cultural stereotypes embedded in the literary text. The teaching method will be demonstrated via close reading of the image of Roma people in the novella Tena by Josip Kozarac, where minority stereotyping takes on the form of discriminatory discourse in narration. Apart from developing critical thinking skills, a similar approach to a literary text in class offers the possibility of a comparative method, supported by the fact that the same mirage of Roma community drawn from a canonical work of Croatian Realism can be compared to the images ...

DOI: 10.15291/sic/2.9.lc.3