The Anatomy of Love

No. 2 - Year 7 - 06/2017

University of Zadar | ISSN 1847-7755 | SIC.JOURNAL.CONTACT@GMAIL.COM

Editorial

In All About Love: New Visions, bell hooks observes that we are constantly exposed to messages telling us that the workings of love are mysterious and its agency unfathomable; that love is, in other words, only invaluable if it remains unexplained and unknowable. hooks argues that knowledge is a crucial element of love and that understanding its forces does not detract from its importance and value; on the contrary, it enriches the experience of love. More recently, Alain Badiou has in In Praise of Love similarly claimed that love is a ‘truth procedure,’ the kind of experience through which the truth about Two is constructed....

Literature and Culture
Ioana Unk, Babes-Bolyai University, Romania:

This article aims to give a psychological interpretation to Alain de Botton’s novels On Love and The Course of Love, doubling the philosophical take on love that runs in the background of the novels. Robert Sternberg’s triangular theory of love will be applied to de Botton’s two novels, in an attempt to reach an understanding of love by means of psychological deconstruction, following the dynamic of the three components of the love triangle: passion, intimacy and decision \ commitment. References will also be made to Sternberg’s complementary theories on love, i.e. the theory that conceptualizes love as a story and the theory of love as a socio-cultural artefact.Key words: love, psychology, triangular theory, love story, cultureAlain de Botton’s book On Love, presented to the readers as a novel telling the love story of Chloe and the narrator, is a full-circle account that unfolds between two plane flights: on the first flight, from Paris to London, the two future lovers are seated one...

DOI: 10.15291/sic/2.7.lc.2
Literary Translation
Rosa Montero and Ana Stanić:

Izgleda tako slatko, ali živi je otrov. Pogledajmo malo dvoranu: svi su unutra. Trećini njih, a i to sam malo rekao, nisam baš drag. Sve su to moji protivnici, moji krvnici i moje žrtve. Petnaest sam godina u firmi, zadnjih pet kao šef kadrovske – nije lako. Ali od svih tih dama i gospode koji me mrze, vrlo dobro znam, najgora je ona. Moja najveća neprijateljica. Znam što govorim jer dobro je poznajem: to mi je žena.A konkurencija je jaka, tu su svi moji najratoborniji, najžilaviji protivnici: Donatella, ekonomistica s magisterijem s Harvarda, koju sam zaposlio kao tajnicu kad zbog krize nije mogla naći posao i koja mi je jednom prigodom, lagano i namjerno, izlila kipuću kavu po hlačama jer sam je zamolio da nam na sastanak direktora donese piće (A što sam mogao? Nisam ja kriv za krizu. A na sastanku je bio generalni direktor. I lijepo sam je zamolio). Zaldíbar, koji se iživljavao nada mnom šest godina kad mi je bio šef, potpisujući – bez moga znanja – sva moja izvješća kao svoja. Cont...

DOI: 10.15291/sic/2.7.lt.3
Literature and Culture
Goran Đurđević, University of Zadar, Croatia:

Francuski medievalist i jedan od najznačajnijih povjesničara Europe, sad već pokojni Jacques Le Goff, napisao je knjižicu pod naslovom Treba li povijest zaista dijeliti na razdoblja? Većina ljudi ne promišlja o ovom pitanju, a da nije samo riječ o problemu koji ostaje na margini svakodnevnog života svjedoče i podatci da mnogi povjesničari nisu svjesni ovog pitanja što je utjelovljeno u studijskim programima koji su podijeljeni kronološki po razdobljima i oformljeni po vremenskom slijedu, posebno u Hrvatskoj. Le Goff ide korak naprijed pokazujući zašto je promišljanje o vremenu jedno od temeljnih pitanja povijesne znanosti.Knjižica od 124 stranice sastavljena je od sljedećih osam ključnih poglavlja: Stare periodizacije, Kasna pojava srednjeg vijeka, Povijest, obrazovanje, periodi, Rođenje renesanse, Renesansa danas, Srednji vijek postaje mračno doba, Dugi srednji vijek, Periodizacija i globalizacija. Knjiga započinje Predgovorom i Uvodom, a nakon ovih osam poglavlja slijedi Izabrana bib...

DOI: 10.15291/sic/2.7.lc.6
Literary Translation
Chika Unigwe and Lana Filipin:

To je jedan od razloga zašto ne voli kupovati u ovo doba godine – previše ljudi. Ruke su joj pune i kad se sjeti kako je bilo teško odabrati, pomisli: tiranija izbora. Ne točno tim riječima, naravno, jer ovih joj je dana teško pronaći potrebne riječi. Sve dolazi iz nutrine. Osjeća što misli iako to ne može artikulirati. Da je barem hobotnica! Dobro bi mi došao još koji par ruku, pomisli, boreći se da jednom zadrži golem trkaći auto dok drugom podiže plastičnu vrećicu s transformerom koja joj je nekako iskliznula iz ruku. Nespretna. To bi Gunter promrmljao. Nespretna si, Oge. Nespretna. Cokćući jezikom i odmahujući glavom poput oca koji kori dijete. Mrzi kad tako razgovara s njom. Kao da mu je dijete, a ne žena. Kad to radi, nju počne žariti u grlu pa kaže neke stvari pa on kaže neke stvari pa oboje utihnu. No žarenje u grlu još dugo ne posustaje. Boli kao da joj netko trlja sol u ranu. Čir na grlu. Zadivljena je čudom riječi koja je iskrsnula. Niotkud. No takva je narav čuda, zar ne? D...

DOI: 10.15291/sic/2.7.lt.4
Literature and Culture
Justine Shu- Ting Kao, Tamkang University, Taiwan:

In Nabokov’s Lolita, Humbert Humbert’s The Enchanted Hunters, as a quest for love, aims to reconstruct a felicitous world or integrate various fragmentary details into an organic unity that revives a lost love, experiencing it on the basis of irony, and revealing a simulation of the desire, violence, and despondency which have been expressed in myths of nymphs and Persephone. The protagonist never reaches this unity, but his narrative of erotic and romantic love reveals him as a pathetic addict engaged in mechanical reproduction related to the phenomena of desire, seduction, violence, and sex. His The Enchanted Hunters does not simulate what he expects of his childhood love with Annabel; rather, it simulates the erotic imagination suggested in Mary D. Sheriff’s term “nymphomania,” in which artists fall degenerately to a model of tragedy. Keywords: simulation, nymph, nymphomania, The Enchanted Hunters The Enchanted Hunters in Nabokov’s Lolita refers to the name of a hotel and the title ...

DOI: 10.15291/sic/2.7.lc.3
Literature and Culture
Anders Johansson, Mid-Sweden University, Sweden:

Love has traditionally been understood either as an objective, transcendentforce, or a subjective ability. Through a number of steps,the article argues that both these options have lost their credibility due to changes in the media through which love is performed. First, the article demonstrates how the attempts,in the life sciences, to explain love biologically or physically reproduce a traditional romantic ideology. Then, the implications of the inflation of explicit love declarations, and the consequences of internet dating, are discussed. What these examples amount to is the fact that the medium is brought to the fore. A consequence of this is that the romantic ideology is strengthened, while the premises of romantic love – the autonomous subject and the transcendent objectivity – are weakened or even dissolved.Keywords:idealism, materialism, narcissism, subjectivity, reification,internet dating, controlJennifer Lopez, Haddaway, Howard Jones – yes, virtually every singer, author,or...

DOI: 10.15291/sic/2.7.lc.1