Future Insights

Broj 2 - Godina 9 - 06/2019

Uvodnik

The articles presented in the 18th issue of [sic] discuss, in broad terms, the ways in which literary and cultural phenomena manage to transcend the temporal and spatial framework into which they were born. They thus provide understandings and intuitions with continuing relevance, and their impact extends – regardless of when they were created – well into the future. In the opening article, Dejan Durić and Željka Matijašević analyze the concept of intensity through psychoanalytic lenses, as it evolves from the 1960s counterculture toward the present-day forms of capitalism. Krešimir Vuković delves into the imagery of classical literature and explores what insights Homer, Hesiod, and Callimachus offered for future authors. Finally, Korana Serdarević turns toward teaching methodology and tackles the issue of whether 19th century literature can help shape the views of today’s (and tomorrow’s) society. ..

Pročitaj cijeli članak →
Izdvojeno

The article focuses on a little-known text of the early 20th-century Russian Literature, The Earthly Paradise, or a Winter Night's Dream. Tales from the 27th Century (1903) by Konstantin S. Merezhkovsky, biologist and elder brother of the symbolist writer Dmitry Merezhkovsky. The Earthly Paradise is one of the most radical eugenic utopias of the future written around 1900 since it stages a radical post-humanistic concept – a new beginning of mankind through eugenics. Keywords: utopia, eugenics, biopoliticsU radu je je riječ o slabo poznatom tekstu ruske književnosti s početka 20. stoljeća, naziva Raj zemaljski, ili San zimske noći. Bajka utopija 27. stoljeća (Raj zemnoj, ili son v zimnjuju noč'. Skazka-utopija XXVII veka, Merežkovskij). Knjiga je izdana 1903. godine u Berlinu na ruskom i njemačkom jeziku. Autor romana je biolog Konstantin Sergeevič Merežkovskij, poznatiji kao teoretičar evolucijske teorije simbiogeneze i stariji brat ruskog simbolista Dmitrija Merežkovskog (Zolotonosov). Knjigu je Merežkovskij objavio u Berlinu, iz straha da bi je ruska cenzura mogla djelomično ili u potpunosti zabraniti zbog toga što je sadržavala kritiku kršćanstva....

Pročitaj cijeli članak →

Između gradskog centra i konačišta prostirala se velika močvara. Hladnoća pristigla s Atlantskog oceana u veljači ju je smrznula i pretvorila u veliko svjetlucavo polje. Žena je hodala prema konačištu. Bila je odjevena u krzneni kaput, nosila je visoke kožne čizme, a lice joj je izgledalo ljutito. Na nebu, između tamnoplavih oblaka, vijugavi trag mlaznog aviona. Pored grmlja žena je malo usporila. Nešto ju je žacnulo u srcu i ona se prisjetila nečeg vrlo davnog. Bilo je to sredinom ljeta, debeli, zeleni travnati tepih i cvilež svinje u rukama koljača. Žena je uspjela locirati sjećanje. To se dogodilo na drugom mjestu, u drugoj zemlji, i bilo je stvarno. Lice joj je postalo tužno. Gurnula je ruku duboko u džep kaputa i osjetila kako joj se hladnoća diže iz utrobe prema kosi.Čovjek u žbunju zaustavio je dah i čekao da žena stigne do točno određenog mjesta. U očima mu se zrcalio uplašen pogled, a žile su mu nabrekle na sljepoočnicama. U tišini je pričekao još trenutak-dva te je s leđa zaskočio ženu. Ona se srušila i udarila glavom o led. Čovjek je disao ubrzano i isprekidano. Usko, djetinje lice, svijetla, lepršava kosa i crne kožne rukavice. Udario ju je u lice i razgrnuo joj bundu, gurnuo joj ruku pod bluzu i pokušao joj strgnuti hlače. Žena nije vikala već ga je kritički promatrala. Činilo joj se da je nekako lijep. Pogledala je prema nebu. Bijela traka mlažnjaka nestala je. Vidjeli su se samo plavi oblaci i hladnoća koja joj je ukrutila bradavice. ...

Pročitaj cijeli članak →

The active function of monuments is one of the numerous core beliefs of the Russian society both during and after the Soviet era. In the Russian urban space, several monuments keep on rising and still attract an inextinguishable attention towards their symbolic meaning. This situation could lead to a suffocating idea of culture. In a country, the “monumentalization” of its heroes from a past culture, with its characteristic plastic rhetoric, tends to oversimplify the models of the collective memory and opts for static postures, “frozen-up” in a cultural canon. Within this research field, Russian antiquity deserves specific attention, due to the fact that contemporary literature takes a considerable role in redefining its features. The paper will cover some of the most original works that stand out from this literary trend, such as Tatyana Tolstaya’s novel The Slynx, Boris Akunin’s Altyn-Tolobas, and Evgeny Vodolazkin’s Laurus.Keywords: monuments, monumentalization, ancient Russian culture, collective memory, national canon, Tatyana Tolstaya, Boris Akunin, Evgeny Vodolazkin...

Pročitaj cijeli članak →

The idea of the landlord's estate as “paradise on land,” traditional in the Russian culture of the late 19th and early 20th century, evolved in the literature of the 1910s and 1920s into the idea of the city-garden, which united the “beginning” and “ends” of the image of Biblical paradise – the Old Testament Eden and the Apocalyptic New Jerusalem. The substrate of the city-garden mythologem became the "estate topos," which indicates its plasticity and significant heuristic potential, i.e. not only its belonging to the former landowner estate of the 19th century, but also its ability to create new cultural modifications, such as the “city of the future” by V. V. Khlebnikov or the “city garden” in the prose of A. N. Tolstoy and in the Soviet poetry of the 1920s.Keywords: paradise, topics, landowner estate, estate topos, “city of the future,” “city-garden,” the first third of the 20th century, A. N. Tolstoy, V. V. Khlebnikov, V. V. Mayakovsky...

Pročitaj cijeli članak →