The Anatomy of Love

Broj 2 - Godina 7 - 06/2017

Uvodnik

In All About Love: New Visions, bell hooks observes that we are constantly exposed to messages telling us that the workings of love are mysterious and its agency unfathomable; that love is, in other words, only invaluable if it remains unexplained and unknowable. hooks argues that knowledge is a crucial element of love and that understanding its forces does not detract from its importance and value; on the contrary, it enriches the experience of love. More recently, Alain Badiou has in In Praise of Love similarly claimed that love is a ‘truth procedure,’ the kind of experience through which the truth about Two is constructed...

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Izdvojeno

Alciphron's Letters (2nd or 3rd century AD) belong to Greek fictional epistolography, a subgenre whose literary conventions forbid direct portrayals of nudity or physical contacts. However, once the author chose erotica as a prevalent theme for his letters, he found himself entrapped; he had the obligation to obey the “chastity” of the literary subgenre and avoid any drifts into pornography and impropriety, but, at the same time, he was expected to satisfy his readers' curiosity and tantalize their imagination with shy innuendos. Consequently, he had to make sure that his stylistic devices used for erotic allusions (metaphors, metonymies, euphemisms etc.) were as vivid and various in origin as possible. Those erotic expressions are at the focus of this paper. In accordance with the given theme, the ones that contain the idea of violence, conflict, and warfare or its consequences are scrutinized. Once the erotic expressions of this kind are detected, they will be placed into a wider context. Their importance (both quantitative and qualitative) and their meanings achieved in the “domicile” letters will be determined. Furthermore, the examples will be compared with similar ones from Philostratus' and Aristaenetus' letter-collections. The final goal of the paper is to define the comprehensive role of “violent” erotic expressions in the literary subgenre as a whole. ...

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Izgleda tako slatko, ali živi je otrov. Pogledajmo malo dvoranu: svi su unutra. Trećini njih, a i to sam malo rekao, nisam baš drag. Sve su to moji protivnici, moji krvnici i moje žrtve. Petnaest sam godina u firmi, zadnjih pet kao šef kadrovske – nije lako. Ali od svih tih dama i gospode koji me mrze, vrlo dobro znam, najgora je ona. Moja najveća neprijateljica. Znam što govorim jer dobro je poznajem: to mi je žena.A konkurencija je jaka, tu su svi moji najratoborniji, najžilaviji protivnici: Donatella, ekonomistica s magisterijem s Harvarda, koju sam zaposlio kao tajnicu kad zbog krize nije mogla naći posao i koja mi je jednom prigodom, lagano i namjerno, izlila kipuću kavu po hlačama jer sam je zamolio da nam na sastanak direktora donese piće (A što sam mogao? Nisam ja kriv za krizu. A na sastanku je bio generalni direktor. I lijepo sam je zamolio). Zaldíbar, koji se iživljavao nada mnom šest godina kad mi je bio šef, potpisujući – bez moga znanja – sva moja izvješća kao svoja. Contreras, koji je pucao na moje mjesto, ali je izgubio bitku, čemu je vjerojatno pripomoglo to što sam se ja slučajno učlanio u isti teniski klub kao i generalni direktor, s kojim sam se uspio sprijateljiti između dva forehanda (nisam ni ja svetac, ali nisam ni đubre kao Zaldíbar – recimo da je to normalna, uobičajena doza nečasna ponašanja). Dakle, i u društvu ta tri teškaša, ona mi je i dalje najveća neprijateljica, u toj dvorani i u svemiru. To što smo u braku samo pogoršava stvari. Spavam s njom, sa svojom smrtnom neprijateljicom, a kad ne mogu spavati, čini mi se da je čujem kako u tišini snuje tajne osvetničke planove....

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Francuski medievalist i jedan od najznačajnijih povjesničara Europe, sad već pokojni Jacques Le Goff, napisao je knjižicu pod naslovom Treba li povijest zaista dijeliti na razdoblja? Većina ljudi ne promišlja o ovom pitanju, a da nije samo riječ o problemu koji ostaje na margini svakodnevnog života svjedoče i podatci da mnogi povjesničari nisu svjesni ovog pitanja što je utjelovljeno u studijskim programima koji su podijeljeni kronološki po razdobljima i oformljeni po vremenskom slijedu, posebno u Hrvatskoj. Le Goff ide korak naprijed pokazujući zašto je promišljanje o vremenu jedno od temeljnih pitanja povijesne znanosti.Knjižica od 124 stranice sastavljena je od sljedećih osam ključnih poglavlja: Stare periodizacije, Kasna pojava srednjeg vijeka, Povijest, obrazovanje, periodi, Rođenje renesanse, Renesansa danas, Srednji vijek postaje mračno doba, Dugi srednji vijek, Periodizacija i globalizacija. Knjiga započinje Predgovorom i Uvodom, a nakon ovih osam poglavlja slijedi Izabrana bibliografija, Zahvale i O autoru....

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Love has traditionally been understood either as an objective, transcendentforce, or a subjective ability. Through a number of steps,the article argues that both these options have lost their credibility due to changes in the media through which love is performed. First, the article demonstrates how the attempts,in the life sciences, to explain love biologically or physically reproduce a traditional romantic ideology. Then, the implications of the inflation of explicit love declarations, and the consequences of internet dating, are discussed. What these examples amount to is the fact that the medium is brought to the fore. A consequence of this is that the romantic ideology is strengthened, while the premises of romantic love – the autonomous subject and the transcendent objectivity – are weakened or even dissolved.Keywords:idealism, materialism, narcissism, subjectivity, reification,internet dating, controlJennifer Lopez, Haddaway, Howard Jones – yes, virtually every singer, author,or philosopher since Sappho and Platohave raised the same question: What is love? This endless recurrence may be taken as a sign both of the aptness and inaptness of the question. The huge amount of answers makes it impossible to say anything that hasn’t already been said. Every love song is a cliché from the outset. On the other hand, the fact that the question keeps coming up over and over again, points to the endurance of the experience of or longing for love, and hence to the inevitability of the issue....

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