Future Insights

Broj 2 - Godina 9 - 06/2019

Uvodnik

The articles presented in the 18th issue of [sic] discuss, in broad terms, the ways in which literary and cultural phenomena manage to transcend the temporal and spatial framework into which they were born. They thus provide understandings and intuitions with continuing relevance, and their impact extends – regardless of when they were created – well into the future. In the opening article, Dejan Durić and Željka Matijašević analyze the concept of intensity through psychoanalytic lenses, as it evolves from the 1960s counterculture toward the present-day forms of capitalism. Krešimir Vuković delves into the imagery of classical literature and explores what insights Homer, Hesiod, and Callimachus offered for future authors. Finally, Korana Serdarević turns toward teaching methodology and tackles the issue of whether 19th century literature can help shape the views of today’s (and tomorrow’s) society. ..

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Izdvojeno

Radionica prevođenja poezije na Pašmanu(Punt rere punt, 2014.Tragom jednog eseja Drage Jančara(La disfressa dels arbres, 2008.)(Inventari de fronteres, 2006.)(Punt rere punt, 2014.)(Punt rere punt, 2014.)(La disfressa dels arbres, 2008.)Sophia de Mello Breyner Andresen(Neobjavljena)Emily Dickinson(Punt rere punt, 2014.)(Inventari de fronteres, 2006.)(Inventari de fronteres, 2006.)

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Bila jednom jedna problematična mlada žena koju su vlastiti roditelji zvali običnom pizdom. Drugi su je zvali drugim imenima, no budući da su je njezini roditelji veoma voljeli, dovoljno je bilo da je zovu običnom pizdom. I zato što su je veoma voljeli, nisu je izbacili iz kuće čak ni kad je neprestano krala njihove kreditne kartice, slupala majčin auto, poderala očevu odjeću, govorila im da su jebeni naborani kreteni i inače se ponašala kao, ono, obična pizda. Ali, budući da su je veoma voljeli, poduzeli su sve da joj pomognu i čak se odvažili odvesti je psihijatru. „Zavist zbog penisa”, rekao je psihijatar, „bez daljnjega. Vidio sam to već puno puta. Sve mlade žene njezine dobi boluju od toga čak i ako to ne priznaju. A samo zato što to ne priznaju, ne znači da od toga ne boluju. Ništa što pošten muškarac i malo poštenog bambusanja ne bi mogli izliječiti.”Zato što su je voljeli i zato što su debelo plaćali psihijatra, pustili su je da luduje po gradu s koliko je god novaca htjela, da ide u najbolje noćne klubove i odsjeda u najboljim hotelima. Nije da joj je trebao poticaj ili savjet oko toga kamo da ide. Ali bilo je lijepo što je to mogla učiniti uz dopuštenje roditelja (i psihijatra). ...

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Taking as a reference one of the best-known works of science-fiction genre in general and the Soviet nauchnaya fantastika in particular, the novel Monday Begins on Saturday by the Strugatsky Brothers, the author attempts to investigate a special variant of the elaboration of the theme of beginning and end, which (especially in combination with the problems of space and time) seems to be a bizarre mixture of literary-cultural (including intertextual) and natural-scientific approaches to the subject and may be considered as the basic issue of the Strugatskys’ text. Single parts of the text, sequentially and in a multi-faceted connection with each other, develop the themes of internal and external space and time in their constitutive disturbances and infinity. The first part of the novel deals above all with the space outside of the Scientific Research Institute of Sorcery and Wizardry, as well as with the problem of the closure and (non-)transparency of diverse borders. The second so-called story focuses on the peculiarities of the internal spatial and temporal parameters of the institute, its physical and cultural-historical infinity as the main characteristics, and it culminates in the description of the absolute end as the collapse of the whole Universe. The third story is devoted to problems related to the general concept of time, the nature of its flow and the question of fundamental possibility of movement along the axis of this cosmological dimension. On the whole, the Strugatsky Brothers create an impression of some cultural-natural-scientific space-time without limits, or with those far beyond the directly specified place and time of the novel’s storyline....

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In an age when social media dominate everyday lives of many people across the globe and with the rise of VR games, Netflix, fake news, and 3D printers, it is evident that (digital) technology has become an integral part of everyday life. Online games make new spaces of communication and cooperation that cross the seemingly established borders of nation-states, discussions about online and offline communities gain more prominence each year, and social networks have brought to the fore many scholarly works dealing with various questions about identity, culture, and identification. In this context, a comprehensive guide on or overview of how we could approach these issues in the academic context was scarce. Grant Bollmer’s book titled Theorizing Digital Cultures provides a way of approaching these, somewhat new issues, providing specific tools, i.e. terms and concepts that could help many future researchers of digital culture. What makes this work even more important is the fact that it is made and planned to be used primarily in the field of humanities and social sciences. ...

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